The future of Digital + Culture

I wrote an essay for Aeon Magazine about art, literature, theatre, dance and digital at the core of the creative process. It's sort of about the structural problems facing algorithmic and generative art forms.
You can read it here: http://aeon.co/magazine/altered-states/digital-art-should-be-about-possibilities-not-technicalities/

and it looks like this:

Talk :: Creative Mornings Sydney: 40mins about physical interfaces and our digital future.

CreativeMornings/Sydney with Tom Uglow of Google's Creative Lab Sydney from CreativeMornings/Sydney on Vimeo.

Organised by Flyn, Max, Amanda, Gabby and Josh and the Creative Morning community.

Physical/Digital :: our intimate web - sensors, speech, and a physical digital future

Notes and the deck from a talk I gave recently about some possibilities for the future of physical digital technology.
Thanks to Creative Morning Sydney; to AXIS & CAANZ in New Zealand, and to Qantas & TEDx

I'm increasingly fascinated by the journey we are on and how quickly we will move through the 'screen-age' of technology into the augmented, or physical digital age.
So this is a talk, some research for a book project and just, well, interesting brain food I hope.

As a summary:

Digital can be enchanting, personal & intimate

Life filled with information that flows around you like magic.

This talk is sort of about...

What information looks like at the moment :: Streams and Tools and Signals.

How we find it :: sensors, speech, and the quantified self

How we consume it :: wearable tech, intimate technology,  and enchanted objects.

And what that means - about being relevant, useful and simple.

Last slide has a dozen videos if you're into that.

if you like more than pretty pictures - here are the notes:

The Art, Poetry & Music of Data Viz. Or. What do you mean when you talk about data?

This could be one of my favourite talks.
I think it's fun because it's a bit irreverent but with lots of work I  love from people around the world. That's always nice to talk about isn't it? So, it's sort of about data visualization.
Many many hours appear to have been dedicated to questioning, interrogating, correcting and recontextualizing information graphics, data visualizations and generally pictures involving statistics.
Not to mention all the effort that has gone in to telling David McCandless how wrong this or that is.

So, when I was asked to put together a talk introducing Data Visualization to Elmar Trefz's students at the University of Sydney I took some delight in starting from a principal that the real truth in a data set disappears when you put pen to paper. That through the act of representing the data set and analysing the data set you arrive at a set of conclusions. That those conclusions are impossible to truly balance because a) pattern-recognition is interpretive, but mainly b) we expect our visual to communicate more than just the data. In other words we want a story - just like we do from a newspaper. And normally we want that story to confirm our own assumptions and prejudices. Unless it's the weather... Hmm. Maybe with the weather too.

So instead I wanted to look at the increasingly good art made with data. Or interpretations of literature, or music, or history being taught using the same methodology. Can data visualisations be pedagogic, or contemplative, or raw and emotional, or fun?  It's interesting when you don't know enough about your subject to be comprehensive, but hopefully enough to inspire. That was one of these talks. Forgive me if I have sinned. I hope you like the examples.

Video :: a little talk about the future of the internet.

I kinda think this makes more sense in text. But some people like to be read to:

TEDxYouth [Syd] :: The future is your internet(s)

[FEB 2013]

- speaker notes from a talk I gave at TEDx Youth (Sydney).
explaining the future of internets, information and devices to a bunch of 17yr olds

tl;dr Notes on the future of information, about the last 20yrs and the next 20 years; differences between old-school served pages and fluid big data; move from websites to streams, tools and signals; move from machines to wearable technology, enchanted objects and totems;  about the difference between integrated and disintegrated models for all this and finally on the possibility of openweb and multiweb scenarios.... and why this is cool.

[A marvelously well organised and enjoyable affair at Scotts School, organised by a student Lachlan and his crack team. It was just great to be a part of. I ended up giving a rather loose rendition of some thoughts on the future of the internet and I thought I'd put them up here].

BERG's little printer. Enchanting. 
Except when it feels naughty..

[15mins]

hi, My name is tom, I am 37 which probably makes most of you here at least half my age.

I don't have any videos, no new phones, no driverless cars. I don't even have any Google glasses to show you. I do have a pen. 

--- NOTES INTRO --

When I was your age the web was a few years old, there were only 10k servers and 10million web users.

It was the autumn of 1994, I had just had my first html lesson and I got my first email address.

Now there are  2.5 billion web users and  blah blah internet blah, huge. 

Not important.

What is important that it is a very specific kind of web - built on urls, servers, and websites.

we are still close to the physical technology of it. addresses and pages etc

I'm going to talk about your internet. 

I don't have any answers - but I do have a question - what you are going to do with it?

because the world doesn't stop here.  This, is not it. 

We don't stop the world and use screens and tablets and phones for the rest of time.

So let's just explore that world for 10 minutes.

The one filled with information that flows around you like magic, that appears in the most unusual places. 

I want to talk about this enchanted, magical world filled with information.

SO

I'm going to talk about what information looks like:: Streams and Tools and Signals. 

AND how we get it ::

augmented vision, enchanted objects, totems, and, well, screens.

And I want to talk about what that might mean for you.

let's back up.

....

 between us, when I actually look at the internet I still feel I would rather make a drawing. I am back in that classroom in 1994 going - "this sucks". 

Maybe that's why we keep pushing because we're not happy with where we are yet. 

In 1999 I just gave up trying to be an artist and I joined a dotcom startup. The idea was cool, a sort of social network for elite universities. But, you know, it didn't take off. 

Timing is important. 

Plus no one had thought up the idea of a social network yet. So, in 2001 the bubble burst, we all lost our jobs and I sat in my back garden, with a borrowed laptop, trying to work out what a server was, and building my own web pages.

Now I work at Google for a group called the Creative Lab. 

it is filled with young, cool, incredibly smart people who really want to make a difference in the world.

Generally I work with culture, and what we can do with artists and cultural organizations around the world to find new forms in their practice using the internet and digital tools.

Not so much digitizing old culture - but instead creating new culture that could only exist using the internet. 

what does that mean?

I got to work with famous orchestras and musicians for our YouTube Symphony project, 

with curators at the Guggenheim showcasing video art, 

I went to Sundance to launch a film we made with Ridley Scott called Life in a Day. 

I was lucky enough to work with the Google Art Project, 

and we've worked with the Opera House here in Sydney on festivals like VIVID and Graphic. 

At the moment I am working with the Royal Shakespeare Company on a play about some fairies; a new way of teaching history, a book about maps…you know, stuff.

We get to play about at the intersection between the arts and digital .

And, frankly, sometimes that looks a little clumsy - 

YOU COULD CODE:

How many of you have your own web page? (& I don't mean Facebook). 

That you coded and host?  It's pretty easy right? 

Now who has a smart phone? 

Who has coded an app on their phone? 

No me neither. Frankly that seems much harder. 

Which seems a shame because that was one of the things I liked the most about my internet.

LINKS ARE GREAT::

But it does make me look at links in a new light. 

Who thinks the link is a great invention? By that I mean the hyperlink. the url, the button. the click?

It is the simplest, most elegant, universally comprehensible  way to initiate an action. 

The internet, my internet, was a series of pages on computers connected by links that you clicked.

Sounds old fashioned - but incredibly successful in organizing the worlds information. OLD SCHOOL.

In your  internet, on your phones, this is much less clear - can you click from one app to another?  What about in the real world? Do you want to be able to just click things in the real world? well I do and I wonder why I can't. I am frustrated.

WHAT REPLACES THE CLICK?

The swipe, the scan, the press, speech, shake, bump, gesture, or better still - 'it just knows'?

[PROP:  I need an apple or a drink]

Now try to think of all the other things that could trigger an action.

If the device knows a few details that you choose to share, like who you are, where you are going, where you came from..

- if it has some context.

Then it could use your location, or the temperature, PROXIMITY, sounds, velocity, weather, signal strength, density, face recognition, emotion recognition, key words, the time, or any combination - all these become the equivalent of a trigger, a "click".

And they can work in combination with data from your calendar, social networks, your browser history, your preferences. 

There are gazillions of ways to click. 

ROOM to INVENT::

As the internet becomes less tangible there is a lot more space to invent. Things can happen, just because. 

You no longer need to click a button. 

In your internet just being in a certain place at a certain time in certain weather could be enough to order you a frappacino or a large hot chocolate. TExt your girlfriend, or text your mum. 

So let's recap that:

In my internet the information was fixed in code that had to be read by browsers on a screen. 

In your internet the information is an endless flow of data that appears to you only when it is needed, where you need it.

At the moment that data seems to exist in three forms: 

Streams and Tools and Signals

The first are streams:

We all understand streams - 

timelines are a stream, Facebook.  feeds are a stream, content streams, youtube streams, playlists, news and entertainment streams 

Streams literally move past you like they are fixed in time. Like standing in a river. You can go back and find it if need be (like this talk) but generally it moves past you, endlessly -  it is only of that moment. 

(hmm let's not get into finite streams (books) and infinite streams (facebook) and finite streams within infinite streams (looping news footage on 24hour tv stations).

TOOLS::

Then we have tools. Tools are like, well, tools. Just like we have maps or a camera or a notebook - we have maps, and camera's and notebooks on our digital devices.

Anything that let's you do something functional. Games are tools. They distract you. You pick them up, they distract you, you put them down. They're just like knitting, except you can't knit on an iPhone.

So streams and tools - that covers most stuff. But the last one is the interesting one. 

SIGNALS or alerts. 

Stuff on your phone that happens because of where you are, or what time it is. All the stuff we were just talking about. Things that can predict that you will want to tune in to a stream, or let you know you can get a discount at the Maccas over the road, or that it's your friends birthday. 

Information that is specific to you at that moment. Like knowing you're about to miss the bus you take. That information is only useful to you - and that's what contextual data means.

Thinking that way changes the world you live in, so we need to change the way we think. 

And how do we get these signals?

At the moment it's your phone. But we are around the corner from some pretty interesting wearable technology,  

Glasses, watches, bendable screens, transparent touch-screens, digital ink.

or think about physical tech like the Nike Fuel Bands which put personal data on your wrist - like an invisible trainer.

Meanwhile - the Dutch are testing "vibrobelts" that deliver navigation to cyclists through navigational nudges -  buzzing gently in the direction you need to move. 

The solution appears to make cyclists more aware of the world around them - they see where they're going. That's good right?

Phillips are trying to get their machines to sing to us rather than just beep to let us know how they're getting on.

Will the future of digital be delivered haptically, or sonically? Guess what - you decide.

Let's start with wearable tech. Devices that mediate the world for you via watches or phones, or  clothes, or say, glasses, or anything really - even subcutaneous technology. 

THIS IS information delivered to you without interrupting the rest of the world. 

Discretely showing you useful info, or recording the world the way you see it, or checking a map on your wrist or maybe you have that nail varnish that tells the time and shows you text alerts?  

AND Speech becomes incredibly important, as we begin to use the same form of communication for computers as we do for each other - what happens there? Will language change? 

SCREENS:

And screens? 

Well, that has been with us for years and isn't going anywhere in a hurry. 

But the kinds of screens we will get used to will change. If a touch screen can be a piece of matte, flexible, transparent or opaque, like, paper or a curtain... what kind of screen would you make? What would you use it for?  

TOTEMS:

Totems - any one here know about tamigotchi? Imagine a future with lots of little computers that feel very personal to you, like a pen that spell checks for you. a little heart that gives you relationship advice? Little computers that are more like friends you can rely on for the right information - musical boxes from Spotify.

  

OBJECTS:

In fact I am a fan of the physical world. 

We like stuff.  There's a theory about this called biophillia - that we like natural things over synthetic.

wood, not plastic; on the beach, not under strip lights… wearing natural fibre not nylon. 

& if you buy that then we won't be happy until we get all this knowledge of the internet back into organic forms

Natural objects that show us the bits of information that are most useful to us, on bus tickets or table tops, or in the margin of the book you're reading, or whispered to you by the tree you're under.

How about wallpaper that responds to your mood,  keys that tell you when to leave, coffee cups that give us diet advice, pens that record while I'm taking notes.

Maybe it's cause I am old but I want to go back the physical world of nice things and just make them magical.

A normal world filled with enchantment. 

Like magic pens…

And where might all this end up? 

Firstly- I have no idea.

INTEGRATED

But this is another interesting bit - if you take a big view of all this.

To get the best system for managing all this information that interacts with you all the time - then you would expect to use one giant integrated service that holds all of your information for you and can join it up. 

DISINTEGRATED (organic)

But, then you wouldn't. For the same reason we all have 174 passwords. Or 1 password on 174 different sites.

we use simple tools to create complex solutions, rather than complex tools to achieve simple solutions 

- plus, as a species, we are naturally competitive - 

so it seems more likely to me that we will end up with a non-integrated world with lots of smaller, competitive companies to provide simple services than one big one. 

OPEN-WEB:

Maybe we end up with a fully open web where you can easily move between tools and streams and combine your alerts on screens, glasses, coffee cups, wallpaper and tamigochi.

MULTI-WEB:

Maybe we will end up with multiple internets for different aspects of our lives?  like to subscribe to tv networks. you have different internets for different functions. 

That's a matter of infrastructure. But how would the world look if there were multiple nets? 

Would it be like multiple galaxies, multiple dimensions?

and when you think about this you realize we're actually at an exciting but clumsy launch phase of the next internet(s).

And what does this mean to you? This contextual and invisible internet that exists around you. 

Well, you use it...

I can't actually bring myself to wrap this all up into something that means something.

My personal request is that you make art, But, that's just me. 

Certainly you should be thinking about it, about building enchanted worlds - and…remember, you are now where I was then.

Back when I was looking at my internet 20 years ago and thinking - this sucks. That's where you are now… looking at your internet. So it is an incredible time to be your age - and the world you create is going to blow us, and your parents away. 

So you have to go out and create the world that you want. 

Personally I look forward to the day when we arrive in a physical reality that we augment with data, I think it will be soon and don't worry that augmented reality today sucks. 

Because, in your life times, in your internets, it won't. 

Thank you very much

What is a Cult (radio mix) - Festival of Dangerous Ideas 2012

I have realised it is something of a treat to be shunted out of one's comfort zone.
You don't think it is, but really, when you come back from the arena, whatever that may be - the adrenaline of being challenged, hopefully combined with the relief of having met the challenge - is something we should all try and do more.

So I guess I should be grateful to my 'friends' at the Sydney Opera House for their suggestion that I talk on the somewhat left-field topic of: My workplace is a cult with Narelle Hooper, Catherine Fox, and the journalist Gideon Haigh at the Festival of Dangerous Ideas, 2012

There is a video (apparently) to come of the event - which seemed to go jolly well, and was fascinating (thanks to my excellent co-panellists) but in the meantime you can listen to me stutter and stammer my way through an interview (with Gideon) on ABC's Drive program...


So I think this dangerous thing was good to do, my blogpost on the art of #fail is much more my comfort zone, but gave me far less satisfaction. So what I learnt is: it is sort of fascinating to be placed in a position where you have to think creatively, unconventionally about a theoretical 'stated' position, in public, on the record. It's affirming. Everyone should try it.
Though I'm not confident the PR team would agree.

Scratched Data: physical implementations of information and the future of consumer electronics. (according to me ;)

The Zeitgeist Project Berlin 2012 - Tom Uglow trend presentation from FreeState Ltd on Vimeo.

It was with some trepidation that I was asked to talk by Adam Scott of Free State at their inaugural Zeitgeist Project 2012. The event was a fringe event / curtain-raiser for CMO's and CTO's from a range of global brands attending the IFA Consumer Electronics Fair in Berlin in September and I was asked, in the spirit of free thinking I guess (certainly not because I know what I'm talking about) to choose a piece of consumer technology that represented the zeitgeist. THere is a nice overview of the whole thing here.

Obviously for me the connection between the online world and the physical was the direction I immediately headed in: (these are the notes from my talk - the video is below)

I wanted to talk just as an enthusiast about an area of the digital world that's undergoing significant change mainly due to the democratization of funding mechanisms like kickstarter and more fluid production processes. 

Another important aspect is a psychological one. We live in a post digital world.
This is a term coined a while ago to describe the point in time when we stop being awed by the power of computing in our lives… and just like cameras or combustion engines this is true. we no longer marvel at all the astonishing technology that you will se, we simply demand more. 

We expect our phone to allow a three way international video-conferencing call with no latency and for it to be free.
It isn't normal. It's extraordinary.  

So I am more interested in places where the interface between the real world and this magical one. 

There's a term called biophillia which is a hypothesis that states we have an innate connection with nature. WIth trees. wood, organic materials.
And our lives have become ephemeral. Invisible. 

For example we listen to digital music, play online games, take digital photos on digital phones that are saved invisibly into the sky, we go to work and we do this and we don't actually make anything.  

I think others this evening have or will talking about our innate need for patina and physicality, to create deep and longer lasting memories and how this is best effected by sensory mash upß sonic/visual/taste&touch etc but predominantly organic - innate and
- cross-modal experiences 

So we love that  damage, distress, residue and patina caused by physicality and we want to see it in digital as well as traditional consumer products .
Scratches on a record.
creases on a book.
the crack on your android. the dent on your macbook
the trace of the hand.
this organic complexity is more authentic and in a world of ephemeral magic I find that authenticity is lacking. 

So my examples are grass-roots projects, I'm afraid several are prototypes, but increasingly they indicate the need to move digital into physical, instead of augmented reality, we want reality augmented.

little printer from berg is a physical box that creates a thermal printed newspaper from the internet for you each day personalized to your world. 

We have heard about 3d printing technology for a while. But with printrbot we are finally seeing them in homes and offices.  I have one on my desk, unfortunately it's still in 74 separate pieces, but it is there. and it was about $500 

tableau by Jon Kestner is a beautiful model of how you can bridge the divide between the digital and analogue generations using some affordable gadgetry, a drawer, and a touch of showmanship. 

Jon Kestner is a partner at super mechanical who also produce twine - a piece of consumer electronics that lets you program with your phone to tell you when things happen - i.e.  you want to get a tweet when your laundry's done, an email when the basement floods, or a text message when you left the garage door open. THis is the 21centuries equivalent of programming the VCR. You may not be able to do it - but your kids will. 

pebble is a watch that tries to harness the computing potential of your phone in a more convenient consumer device. They made 11m dollars on kickstarter when only asking for $10000

Consumers want these things. I want one. 

But apparently I have to pick one thing.
Well it's a close run thing between twine and my winner - because I really feel the remote controls of the future are going to allow us to program environmental triggers into our lives and we haven't even begun to really think about what that means. 

In the meantime my award goes to makeymakey. That they call an invention kit for anyone but could be equally described as a way to program physical objects to do digital things. It's really easiest to show rather than tell so here's a great video that they made for kickstarter that to me is the future of consumer electronics.

My accidental TED talk :: Cannes SMG/TED with Eric Berlow & Ronda Carnigie

Sometimes remarkable things do accidentally happen. I was certainly unprepared for the incredible hour of panel discussion I got with TED Fellow & complexity scientist Eric Berlow, and TED's own Ronda Carnigie last week in Cannes.


After all I thought I was going to do 10mins on some fuzzy ideas around new models of narrative that I'm interested in followed by a quick Q&A for a lunchtime event for Starcom MediaVest Group.
(If you're interested - my deck: http://goo.gl/x260V)
But Cannes has a way of swinging surprises so when Ronda and Eric  joined me on stage and we segued effortlessly into an intensive discussion about the existence of data in nature and how organic patterns can help us understand organisational culture and challenges around creativity, well, you know, you just have to lean back and join in.


I can honestly say I have never had more fun on a stage with two such bright and brilliant people. It was just lovely, like jamming in a band, which seems the most appropriate metaphor given Eric's reminiscences about Shona Brown's use of the same when talking about Google's own intentionally chaotic structure when it was growing. 
I am a huge believer in fail culture, in allowing small groups to fail faster, about an organic org, about interconnectedness, removal of fear, celebrating uncertainty, avoiding intervention cascades, idea agility, budget paralysis, and the pursuit of fun  at work (and hiring to that goal), not to mention slime mold.  


In fact it's a damn good thing I'm not in charge. But it was amazing to hear a lot of those ideas reflected back in Eric's own insights both as a teacher and academic, and from within nature itself - it was just so much fun - which is the point after all. Quite how we got to the Swedish twitter scandal I'm not quite sure, but there's nothing like rounding out with some awkward pauses about Nazi's.

And in reply to Stephanie - 
(who wrote this rather flattering review of our chat: What are you passionate about?) -

Yes. Failure is the only option... mainly because in itself success is simply a failure to set sufficiently ambitious goals. And we only do that because uncertainty makes us so profoundly anxious. 
It's a massive indulgence but one I am very lucky to be able to enjoy.

Hangout On Air - Mobile Creativity at Cannes Lions 2012

Reuben and I hosted our first live Hangout on Air from the Beach in Cannes.
Somewhere between Jimmy Fallon and Terry Wogan in shorts. The sight of my legs is a bit of a horror... must remember more fake tan next time.
Anyway if you had 42 minutes hanging around...


Hangout on Air with the mobile creatives at Cannes Lions 2012 on the stand-out mobile moments and inspirations. Features mobile movers and shakers at our beach-side Creative Sandbox, including James Hilton, Co-founder and Creative, from AKQA as well as some surprise guests, for a lively session on mobile creativity. And in true Hangout style we have some remote guests including Richard Ting, VP, executive creative director, mobile and social platforms - R/GA, joining us from further afield. All hosted by our very own Google creatives Tom Uglow and Reuben Halper, making it a very entertaining and enlightening session.

Hello #future :: Ad-Tech Melbourne

An updated version of a presentation for Ad-Tech Melbourne with a few more ideas...
(first covered at Fallon's future festival last year)

Circus : Festival of Creativity 2012

Spoke last week at the Communication Council's Festival of Creativity in Sydney, known as Circus.
It was a fascinating day filled with big speakers and big ideas.
Really great to see so many friendly faces and hear so many inspiring people.
Here is my presentation from the event:



And a blog post as well: marketingmag
Am sure there will be a video along before too long...

What Digital Does for Film-Making

I gave a rather quick talk recently at Tropfest in Sydney at their Roughcuts seminar. Terrific fun, amazing speakers, not sure it quite gets the love it deserves really - but good to see the festival do something more practical for the film-makers than just show the work. 
Not sure how practical i am anyway. I just talked about how everything is about to change.
My speaker notes are here: http://goo.gl/QIYLx

fuzzy thinking : some ideas from a talk.

Ideas for the future @ Shuffle in London

For the fourth year running Essence hosted Shuffle at The May Fair Hotel, aimed at bringing together the major players in the digital arena to talk, debate and ponder on what we’re all doing in the space and more importantly, why we’re doing it. Lots of fun

Post-Digital Art on Start the Week 19/09/2011

Continuing the trend of appearing on radio and talking about things I know nothing about I was recently invited onto the BBC's flagship Radio 4 show Start The Week, talking about "post-digital creativity" and the AlphaVille Festival. Which is something of a life-time goal - so I shall now retire from public life.
BBC - BBC Radio 4 Programmes - Start the Week, 19/09/2011

Andrew Marr with Misha Glenny, Martin Kemp, Tom Uglow and Jane Pavitt.

Discussing Composition #1 on the BBC World Service

I'm not sure I have a voice (or a face) for radio, but I did enjoy doing a short package for The Strand discussing the very unusual book, Composition #1  by Marc Saporto, reissued  by Visual Editions in a superlative offline and online format (and with a little introduction from me).

Beautiful Mistakes and the future of stuff at NeXT in Aarhus

Went to Aarhus recently for their NeXT conference and had a really interesting time reprising my future of everything talk around the subject of beautiful misatkes - which, and let's be honest here, is firstly a specialty, so home turf when ift comes to talking about serendipitous errors and, secondly is basically an hour long dinner party monolgue of mine about where we are and how the world is either going to be amazing, or awful, or perhaps somewhere inbetween.

Seemed to go down well.
Considerate write-up from RWW (thank you)
At the Nordic Exceptional Trendshop (NEXT) conference in Aarhus, Denmark yesterday, we were treated to some thoughts about the future from Tom Uglow, a Creative Director based at Google’s Creative Lab in London...." more

a short video excerpt

Post digital books - taking the internet for granted...

Took my Future of Books talk to Port Eliot - where it seemed to go down well despite being introduced as "Here's Tom Uglow - to question the future of books"! (as opposed to 'ask questions about the future of books').
Here's the deck:
  

Future of the Book:: Ted Project Pilot kicks off in NY

©natemook

This is a fascinating project that Juliette La Montagne has got me involved with which kicked off last week by allowing me to talk at length and with monumental digression about what I consider to be the future of the book. Anyway - here are the notes and the slides from the talk. If there is a video I will post it.

Slides